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She
graduated with a degree in art and spent the next 20-odd years investigating
the world. She studied physics, earned a graduate degree in cultural
anthropology, and worked as a journalist, museum curator, and nightclub
singer.
But
all the while she was making jewelry, teaching herself the techniques
required to make the work she envisioned. In 1997 she decided to devote
herself to jewelry full time and opened her studio.
Carla
began knitting metal in order to make a necklace she imagined and couldn’t
make any other way. The possibilities of the technique captivated her, as
did the way it felt to wear. “It’s surprisingly soft and caressing,” she
says. “Very sensual.”
She
also began to use copper, richly patinated and set with small diamonds.
“That tiny sparkle in the dark of the patinated copper is beautiful to me,”
she says. “And I like its just-excavated feel.”
Each piece in Carla’s limited-production and one-of-a-kind collection is
made with a woman’s body in mind. “When I’m working, I’m constantly trying
the piece on, tweaking the way the forms interact with my body – a
collarbone, a wrist bone. When the piece is lying on a pad being
photographed it’s flat. Something crucial is missing. It needs a body to
complete it.”
“Someone once said to me that my jewelry only ‘wakes up’ when you put it on.
That seems right to me.” |